I am an imposter driving my new 2015 Civic. Baltimore is angry and burning. I am an imposter driving my new 2015 Civic. Thousands dead in Nepal. I am an imposter driving my new 2015 Civic. Kurt Cobain is still dead and relevant. I am an imposter driving my new 2015 Civic while the toxic discourse in my country of origin erodes the very structure of ideals the country was built on.
Human failure, my failure.
Sitting in a generic corporate office, performing meaningless work for a corporation that is ignorant at best, malicious at worse. A corporation that, like many other corporations, will view this week as full of great marketing opportunities. Sitting in a corporate office, gutless. White male privilege benefiting me. I can be as insulated from the world as I want to be. I type this while listening to Killing Joke and the contradiction is not lost on me. But what good does recognizing them do? I'll end up getting a beer later tonight and maybe writing a harmless story. I'll be mad because I have to clean the litter box. I'll lie awake worried that I've failed in showing my children how to agitate for change. That things have been too safe for them. When does opportunity become complacency?
I am an imposter. I am safe and warm. I can take these events, intellectualize them and make them safe. I can throw them around my echo chamber. I can create a god and let him do the heavy lifting while I complain because my laptop broke and speculators ruin the vinyl market.
I like fire. Flames don't touch me.
So much I in this post. If I type I enough, will I hold myself accountable? There it is again.
Driving home in my new 2015 Civic I listened to the president denounce the protesters while birds chirped peacefully in the background. The radio host informed me the president was sitting in a lovely garden. And I thought, 40 miles from that garden a city is burning. I wondered what country he was president of. If the alternative to toxic discourse is dreamy condescension...should anyone be surprised cars are on fire?
Kurt Cobain's country became my country and they are the same. Not even the graffiti has changed.
I'm safe and warm and about to take dinner out of the oven. People in Nepal are sleeping on median strips. I will go to sleep in a comfortable bed with a mild case of heartburn. I will light a candle to reflect and meditate. In Baltimore they will light a police car.
I am an imposter.
Tuesday, April 28, 2015
Wednesday, April 15, 2015
wednesday afternoon thoughts on mortality
There is no death. Death is everywhere.
I'm 41. I see the world not just through my eyes, but through the eyes of my children. I see life through the filter of relationships that are sometimes 20, 30, even nearly 40 years old. There is nothing unique in this.
I've always been aware of mortality, but my concept of it changes as I get older. If you asked me at 20 I'd have said something along the lines of living each day to the fullest while being cognizant that it could end any time leads to a rich life. If you asked me today, I'd say the same thing, but I'd feel like I actually understood it more this time. And I'm willing to bet that, should I still be here in 20 years and you ask me again, the same will hold true.
I was an angry young man. I am now, on occasion, an angry middle-aged man. I think more now about how to direct that energy into something useful. In general, I've fallen short in doing so, but the effort at least keeps me from becoming permanently bitter. To do so would be to betray my kids, I think. Raymond Carver wrote of his children as his greatest influence (with which I agree) and a baleful influence (with which I vehemently disagree.) To call your children a baleful influence is a cop-out from the responsibility of your own actions. Bluntly, that's some weak-ass bullshit.
I am an atheist and I'm also deeply spiritual. These things are not contradictory; spirituality has nothing to do with a belief in religion or using particular metaphors. There's a ton of shit we don't understand, and so much we may yet learn if we, as a species, are lucky enough to stick around. (Honestly, I think it could go either way. Depends on my mood, you know?)
But I can say in all honesty I'm not afraid of death. I am afraid of any number of ways of dying, as most of us are. And I would be immensely sad to leave any time soon, with so much I still want to do and see and learn. Striving to live each day with an awareness that I only have so many of them (and I have no idea what that number may be), however, takes the fear of that ultimate transformation away. And it certainly provides a neverending wellspring of creative material. Artists would be in bad, bad business without death.
There is no death. Death is everywhere. The dead are looking for me, for you, for all of us.
I'm 41. I see the world not just through my eyes, but through the eyes of my children. I see life through the filter of relationships that are sometimes 20, 30, even nearly 40 years old. There is nothing unique in this.
I've always been aware of mortality, but my concept of it changes as I get older. If you asked me at 20 I'd have said something along the lines of living each day to the fullest while being cognizant that it could end any time leads to a rich life. If you asked me today, I'd say the same thing, but I'd feel like I actually understood it more this time. And I'm willing to bet that, should I still be here in 20 years and you ask me again, the same will hold true.
I was an angry young man. I am now, on occasion, an angry middle-aged man. I think more now about how to direct that energy into something useful. In general, I've fallen short in doing so, but the effort at least keeps me from becoming permanently bitter. To do so would be to betray my kids, I think. Raymond Carver wrote of his children as his greatest influence (with which I agree) and a baleful influence (with which I vehemently disagree.) To call your children a baleful influence is a cop-out from the responsibility of your own actions. Bluntly, that's some weak-ass bullshit.
I am an atheist and I'm also deeply spiritual. These things are not contradictory; spirituality has nothing to do with a belief in religion or using particular metaphors. There's a ton of shit we don't understand, and so much we may yet learn if we, as a species, are lucky enough to stick around. (Honestly, I think it could go either way. Depends on my mood, you know?)
But I can say in all honesty I'm not afraid of death. I am afraid of any number of ways of dying, as most of us are. And I would be immensely sad to leave any time soon, with so much I still want to do and see and learn. Striving to live each day with an awareness that I only have so many of them (and I have no idea what that number may be), however, takes the fear of that ultimate transformation away. And it certainly provides a neverending wellspring of creative material. Artists would be in bad, bad business without death.
There is no death. Death is everywhere. The dead are looking for me, for you, for all of us.
Sunday, April 12, 2015
oh moon!
Oh moon, that I could be awake for you more often. Curse this body, dragged by the rising and the setting of the sun like yoked oxen to a cart full of stones. Moon you sing inside my unquiet skull and spill out pale light that illuminates the great bloody and bruised veil of this world. Sylvia watched you shadow the yew tree and I watch you pierce the evergreens. Moon you calm me. You cast the light that prepares us for death, when we go up, up, up. Moon if it wasn't for you I would think death was the end and plants never sleep. Moon I long to lie naked beneath you. Awake, awake! Moon I am not a ghost and yet I am. The fire of mind a cool flame. Moon I would write you a song if I could play, if I could sing. Were you really part of the Earth once, did you cry when you were violently pulled out, your birth fiery and eons of slow cooling following? Your light is pale but not cold. The sun creates shadows but you give those shadows a place to rest. So many gifts moon, and I who understand so little, have only these meager words to offer. Oh moon take these words, this lost prayer. Oh moon, oh moon, oh moon!
Thursday, April 9, 2015
spinning my wheels
I miss cigarettes terribly. It’s funny, the thought of
missing cancer sticks. It’s not like there is anything redeeming about them…maybe
that’s the appeal. I quit smoking in 1995, but I still get cravings now and
then. To deal with these cravings, I imagine myself smoking a cigarette. I
basically picture the entire thing—the ritual of lighting up (usually with a
match), of inhaling the smoke, the taste of the nicotine. I imagine how the
cigarette feels dangling from the corner of my mouth while I talk or type. I
tap the ash to the ground. It’s pretty intense, this visualization. It’s
basically a long con to fake out inner urges that are ultimately destructive.
To placate the emotions while listening to the intellect.
I fucking hate listening to the intellect.
Lyrics from two songs:
It comforts me some that three beers suffice,
Its unnerving to think that ten more would be nice
But it kills off the loneliness, kills off the pain
And if I drink enough I won't remember your name
And I'm too drunk to feel,
And I'm too drunk to be seen
I'm just sitting here spinning my wheels,
But I'm not drunk enough to feel like I'm free
No I'm not drunk enough to feel like I'm free
Its unnerving to think that ten more would be nice
But it kills off the loneliness, kills off the pain
And if I drink enough I won't remember your name
And I'm too drunk to feel,
And I'm too drunk to be seen
I'm just sitting here spinning my wheels,
But I'm not drunk enough to feel like I'm free
No I'm not drunk enough to feel like I'm free
--“Spinning My Wheels,” Star Anna and the Laughing Dogs
You’ve got to learn to live with what you can’t rise
above.
--“Tunnel of Love,” Bruce Springsteen
I’ve tried to write about the quiet darkness before.
Failed. It’s a hard thing to pin down with clumsy tools like words. You get a
sense of it in words like Star Anna’s above, but you really have to hear the
grit and heartbreak in her voice to feel it. Raymond Carver captures it sometimes.
I’ve tried to put a shape to it: words unsaid, the recognition that dreams don’t
come true, the uneasy truce after the emotional battle, ten beers would be nice
but they don’t suffice (spinning my wheels.) Snatches of old songs: one step
up, two steps down. After the boys of summer are gone. These are all elements
of the quiet darkness but they are not the quiet darkness in total. The coldest
season is when spring brings renewal. Insights just make things harder.
Continually reborn because you never get it right.
Rebirth/flowering/disillusion/destruction/stillness. Hell of a cycle, that.
I had an idea for a story. I’m writing this instead.
Maybe I’ll write the story. It’s not important either way.
There are stories and songs that appeal to my intellect.
A lot of the art I spend time with falls into this category. This isn’t to say
that this art isn’t emotionally engaging—it is. But, at the end of the day, it’s
safe. Whether it’s myself or the art that is distant doesn’t matter, simply
that there is such a distance. You can chuckle if you need to, or write a term
paper, or crinkle your brows just so. Knock back a few beers and discuss the
shape and contour and context of the work. Get passionate, but know you can
park that passion back in the box if needed because it’s ultimately just a
thing. A fine, fascinating thing. A safe thing. Makes ya feel good. Girl Scout
cookies.
Then there’s the other art, the stuff that won’t win any
awards for fancy wordplay or chord structure but it’s so emotionally real and
so deeply soulful that it is dangerous. The art that gets at how life really
is, how things really feel. This is the stuff that truly gets you through the
day, that is there during the quiet darkness and long dark nights of the soul.
Makes ya uneasy with its honesty. Gives ya hope, too, that others have felt
this way (but makes ya despair at the human condition that we can’t stop going
through these cycles. Evolution is a slow, slow bastard.) Look at those Star
Anna lyrics above. They are artless. But when she sings them, the self-disgust
and hurt and longing brings tears to my eyes. I’d link to the song but it’s not
even on YouTube (aside from some not well-recorded live renditions.) That’s
kind of nice, that some things aren’t in social media garbage land, but it
leaves her words and my words to get this thing across I want to say, and I don’t
think we are doing so well. My fault, not hers. Sorry, Star Anna.
Did I mention she’s got a song called Burn that’s even rawer?
Jesus.
I move like a ghost, sometimes.
The worst thing I could ever write would be a book called
The Oblique Strategies. It would overuse the word languid. That could be
forgiven. It would not be a truthful book. That can’t be forgiven. Ever.
I had to stop writing this to go make dinner. As is true
most nights, I had no interest in making dinner. But things have to get done.
So currently in the oven sits a pan of tater tot casserole. Tater tot casserole
is a sad and truthful dinner. Sad because it’s crap, but crap you had to
actually do a little bit of work to achieve (cook the meat, mostly) instead of
just buying fast food. Truthful because it is what it is, there’s no pretending
it’s anything but comfort food, which is our way of saying “not healthy food
and I shouldn’t eat it but it tastes good dammit and it’s just as busted up as
I am.” Learn to live with what you can’t rise above. I made a double batch.
I got a beer while I cooked.
It dawns on me that perhaps what I wrote above suggests
the intellect can’t be engaged if the soul is. This isn’t true at all, any more
than cutting open your arm and dumping it on the page proves you’re a truthful--good--artist.
There’s always some calculation in songs and stories. I’m sure Star Anna and
her band rehearsed Spinning My Wheels a bunch and moved things around until they
felt right. Bands that don’t do this are called jam bands and truly among the
most wretched of Earth’s creatures. Raymond Carver wrote and rewrote his
stories. But I’d like to think that they were focused on being honest and
truthful and that this guided what they created. Star Anna lived that song and
can sing it truthfully. Raymond Carver lived his stories and can tell them
truthfully. Details are changed (artistic license, protect the innocent and
guilty) but the soulfulness rings true. They paid prices, but don’t we all?
Every one of us does. That’s why we relate. Some just have the talent to tell
the truth (in their work—in their lives they are no different than the rest of
us) rather than obscure it or dismiss it. Tell me lies, tell me sweet little
lies.
It’s all in how it moves you, I guess. Like I have any
fucking idea. You’re still alone. That part never changes. I would have made a
shitty academic, it’s probably a good thing that road was never open to me. I
do love mythology. But only so far as it serves the story. The unconscious
dream-making.
At work today a client was rambling on about how great a
book called Mindset was. How you can change your mindset if you just want to.
It seems kind of crazy that you need 200+ pages to state that. I mean, I don’t
disbelieve it. But those books, they kinda remind of gurus and make me queasy.
They suggest you can avoid the hard truths if you just decide you want to. Maybe
that works and some of us just suck at doing so. We’ve devalued introspection,
though, confused it with self-importance and narcissism. It’s just not that
clean, you know? It’s messy. Really fucking messy, sometimes. I used to cry
easier. Now the tears hide behind my eyes because they are scared they’ll be
seen as the sign of something a book can fix. Just change your mindset and you
won’t need to cry anymore! (Sorry again,
Star Anna.) That beer is…ok, maybe, but wouldn’t you rather have this fine
Chianti, and just one glass at that? Wouldn’t want to get tipsy. (I’m not
tipsy. I’m still on the first beer. I compromise too goddamned easily these
days.) I honestly don’t remember the last time I cried. Well, I do, but I
wouldn’t reveal it here. Tears are truly dangerous and this is not a safe
place. There are no safe places, but this place, I mean, it’s really not safe.
Yeah, I miss the cigarettes. Jesus Fucking Christ, I miss
them.
Somewhere up above I mentioned that insights don’t help,
they just make things harder. I had one of those the other day, something about
how I compromised my dreams and those dreams may be finally disappearing for
good. Dreams are funny things, they hang about even when you think you’ve
beaten them down hard enough they couldn’t ever possibly get back up again. But
they eventually break too, realize this isn’t worth it and head off for greener
pastures (or maybe just a nice rest in the cold damp earth.) It was a gradual
realization but in a way I was thankful that the channels were at least open
enough I heard it. Usually I blast those things away with white noise. Hey, I
need to check the tater tot casserole! Don’t brood, man, don’t brood. It’s all
in the mindset.
Too many lifetimes and not enough years. Thanks for that,
Star Anna.
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