Today is the last day of 2016, a year that most of us are
more than glad to see close. I’m seeing a lot of memes and a lot of stray
comments in social media involving erasing the year altogether or joking about
how to explain it to our grandchildren. This is completely understandable and I
share the sentiment—I’m thinking about lighting a fire in my fire pit and
sending a few things related to this year up in flames.
Yet I don’t want to end this year on a note of anger.
There’s been so much of it already and there will be plenty more of it in 2017.
Nor do I want to erase it from existence (a dangerous concept, even in jest.) Maybe
it’s just because I’m writing this on only a few hours of sleep—a rare kid-free
night with your wife will do that—and the coffee has only just started to pry
my bleary eyes open. Regardless, this edition of Seven Things will focus on
things that did not suck in 2016.
1. A Great Year for Horror Movies
The revitalization of the genre continued this year.
There was of course The Witch, most certainly the best the genre had to offer,
but there were a number of offerings that range from solid to flawed but
interesting. In particular I’d like to call out Don’t Breathe, the most
suspenseful film I’ve seen in some time, a tightly wound exercise pure
adrenaline. There’s nothing supernatural about it, and it finds those tender
spots where the fear lives and pushes unapologetically. Catch it now before
they ruin it with the rumored sequel.
2. Migration Fest
In August the inaugural (and perhaps only) edition of
Migration Fest was held at the Capitol Theater in Olympia, Washington over
three days. I saw many friends, had many late night interesting conversations
over beer, and was reminded on how much of a community this corner of metaldom
is. And that’s to say nothing of seeing so many bands in a small, cozy theater
where it was easy to sit or stand and you could come and go as you pleased. Here’s
what you missed.
3. Musicians Making Powerful Works Confronting Death
Honestly Before Crossing Over
We lost both David Bowie and Leonard Cohen this year, but
we got one last album from each that confronts death openly and beautifully. In
a career of artistic transformations, Bowies’ Blackstar is arguably the most
transformative work of them all; I still can’t even put into words the power of
this record. Cohen made a career out of merging the sacred and profane (with a
gift of language more beautiful than many of the greatest poets) but on You
Want It Darker he accepts the end with grace and inevitability. Related, Nick
Cave’s The Skeleton Tree nakedly confronts the unimaginable grief of losing a
child; it’s a bleak record that still allows the tiniest sliver of light to
crack through. These three records are not something you casually throw on the
background but each are a testament to the power of human creativity. We are
amazing creatures, you know.
4. I Read A Lot of Amazing Books
5. There Was A New Metallica Album, and It’s Great
To say I’m a hardcore Metallica fan is to put it mildly;
the band has been arguably the most important in my life. But I’m not immune
that some of their 90s—00s work is not always up to par. So it means the world
to me that Hardwired…to Self-Destruct is probably their best album since the
monumental Black album back in 1991. As 2016 completely crumbled in these last
few months, I needed an anthem to get through…and they delivered:
6. Despite Challenging Circumstances, I Wrote A Great
Deal
My confidence in my work has not been the best this year,
but I did a
hell of a lot of writing this year. It’s a journey, I’ve no idea where it
is leading, and that’s ok.
7. I Am Alive and Surrounded by Beautiful People
My wife, my daughters, my handful of close friends and
certain members of my extended family—I am a lucky, lucky man. I believe in
quality, not quantity, and I’m grateful to share this life in all its beauty
and challenges with these beautiful souls. If the measure of a person is the
people they surround themselves with, I’m the richest man in the world.
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