Sunday, January 27, 2019

Burn the Season


Start by burning the season. Take the keys; there is just enough gas to get far enough up in the hills. The road will turn from gravel to mud, the ruts will be deep and the axles will protest. Take cigarettes if you need them. Take all the useless paper. When you think the car will push no further, you’ll find a meadow. This is as alone as you can get. The stars are wide and distorted here.

In the middle of the meadow, start a fire.

Burn the season. Burn your shadow. Burn under your ancestor’s eyes. When the fire is well and truly ablaze, take off your clothes and toss them in. Let the greasy gasoline smoke coat your skin. Weave a new covering from the altered air surrounding you. From the flames pull out the hottest stones and push them through your chest and into your heart. Your old body will dissipate and a new one will form.

It’s not a resurrection story. It’s not a rebirth story. It’s a story of choice.

Tuesday, January 1, 2019

12 Things You Never Said to Me


“This room is empty.”
We did our best to fill it. The furniture was sparse, so we bought and assembled more. We painted the walls a more inviting, calming color. I polished the floors. You quilted two wall hangings and one cozy blanket. We spent a month doing this, after our exchanges dropped down to one or two sentences at the most before largely ceasing altogether.

“We are in this together.”
I thought it undeniable that we were bound by our experience. We did not go through it together. I learned a shared experience can be a lonely experience, serving only to widen the distance. You didn’t reach out, nor did I. The mystery of stringing words together in the correct sequence grew deeper with each day.

“I’ll make the coffee today.”
I didn’t mean to wake up with a hangover. You know that isn’t like me. I’m a ridiculous lightweight—two beers and I’m gone. I would never expect you to forgive me this, indulging my tears and absorbing my soggy lamentations when I finally came home that night. I hoped that your own need for coffee the next morning would drive you to make it, but even this small gift was denied. You went to a coffee shop somewhere in town. As my headache grew worse some spiteful, gross part of me refused to give in.

“I believe in ghosts.”
The evidence was all around us. Evidence that hung throughout the house like a low fog, strongest in the room we couldn’t fill. In your eyes, in mine. And then we saw a reflection in the mirror that was false—or, that I believed to be false. You said little, your thoughts locked up, far away from my reach. I should have sheeted all the mirrors. That would have at least brought forth the weight of tradition.

“We could sell.”
The logical thing to do. The reasonable thing to do. All of it—the house, the furniture, the wall hangings. People will buy anything and everything. Divesting ourselves of even one small item would have put us on a path. A clear path with solid footing. Forward motion. Action. It could have been done with a few words, when we still looked at one another.

“If the body is never found, they cannot truly be dead.”
I should have made a different choice. Time ceases to have any meaning when a body ends.

“I can’t seem to get warm.”
I would have built a roaring fire, installed a new furnace, bought blankets and jackets and wool socks. I would have moved closer, had you not turned away every time I approached you. We watched the couch collect dust as we sat in our individual chairs, our breath never showing, the thermostat displaying a steady 70 degrees when both of us knew that was only one reading of many.

“Winter is the worst time.”
You used to love it so. The snow, the early darkness, even the chill. I’m not sure when the change began, it could have been before all of this and I just didn’t notice. You recoiled when I adjusted the thermostat, the flinching nearly imperceptible beneath your oversized white sweater. I offered to make you a hot toddy. The look you gave me was so full of reproach and loathing, I wished for nothing more than a car to slide on the ice and strike me, flinging my body into a thick pine tree where it would snap and splinter before falling into the snow.

“I need help.”
The best part of me believes I would have listened. The worst part of me knows I might not have. Both parts curse my inaction.

“I can’t sleep.”
Every night you’d get out of bed after one, two hours at the most. I reached for you and felt only the sheets. An imprint of a removed physical presence. You were out in the yard, looking at the pale moon. A moon that no longer looks the same, dripping, like paint trailing down a wall in an empty room. Pale though it was, it cast enough light to surround you in a wavering radiance. The chill the damp grass produces beneath your bare feet must hurt. The sheets on your side of the bed are ice cold. Your figure is lost.

“I want to stay in the room.”
It wasn’t healthy. You created the only ghost in that room. A ghost that wouldn’t talk to you. A ghost that didn’t color between the lines.

“The next time you open your eyes, I will be gone.”
I will never forgive myself for sleeping. Yet even had I stayed awake, I would not have found you. Starblind, stumbling first into the room and then retracing your imagined path from there to the yard, my fingers reached for your flesh but found only the solidness of the walls, the sharp edge of the counter, the rough bark of the tree. Winter child, winter mother, snow-ghosts who wrap the chill around me, cold as the pale moon and distant stars I can no longer see.

Wednesday, December 19, 2018

A Teaching Moment


Back in the early aughts I had a LiveJournal account. LiveJournal was one of the earlier social media platforms (it still technically exists, but it’s a fully Russian operation now, and I’m not aware of anyone who uses it.) LJ functioned more like a blog than anything, but also had a community aspect. For those of us with wordier tendencies it was a nice platform, but once Twitter, Facebook, et.al. came on the scene it rapidly became obsolete for most users. I was a heavy user in my peak years, at one point writing almost a post a day for my two different journals. I wrote whatever was on my mind; it really was a journal for me, just one available to the public. I certainly never had a large readership, and what I did have was mostly comprised of people I knew in real life or had a connection to.

I certainly didn’t think about what I wrote in terms of audience. My audience was my friends. So when I wrote a snarky, somewhat condescending post about The Imago Sequence, a collection of stories by a new author, Laird Barron, I’d just finished reading, I didn’t think anything of it. I can’t remember exactly what I wrote, but it essentially boiled down to: everyone in the field is talking about this new author, and I can’t figure out why. This collection did nothing for me. I just don’t get it.

The next day I saw there was a comment on the post from a LJ member whose name I didn’t recognize. Turns out the member was Laird himself, and I can quote exactly what he said because I’ve never forgotten it: “Sometimes there’s nothing to get, you like it or you don’t. Thanks for reading.”

I felt terrible. Never did I think there was a chance that an author might read something I wrote on my dinky blog. I had no wish to spread negativity about a writer’s hard work, and I certainly would not have done so in the condescending, snarky tone that I’d used had I any idea it would be seen by the author. I thought Laird’s response was spot-on and classy, much more than I deserved. Whether he intended to or not, he held up a mirror, and I didn’t like what I saw. Ever since I’ve tried to be much more thoughtful if writing about something I don’t care for, since all it boils down to is “well, this didn’t work for me but that doesn’t mean it won’t work for you.” Anything else is just ego games, right? Keyboard warrior bullshit. Now, I’m not above taking a crack at a megazillionare like Dan Brown, but even then I recognize that a lot of people have gotten joy out of Dan Brown’s books and that’s really all that matters. I don’t want to piss all over their joy, and I do not think myself any better than them just because we have different taste.  

A couple of years after this incident Laird put out a second collection entitled Occultation. I wanted to give him another try, and am I glad I did—Occultation is fantastic, definitely one of my favorite books of 2011. Once I finished it, I went back and re-read The Imago Sequence. This time I did get it, finding the collection to be fresh and original, with a powerful and startling voice. I wondered why it had not hit me the first time. Was it a timing thing? Was I just not in the right headspace? Laird’s best stories worm their way into you. They often don’t grant instant gratification, and perhaps at the time I simply couldn’t wrap my head around them. He’s certainly been one of the most important voices in the field for the last decade-plus, and one whose work I hold in high esteem and derive great pleasure from.

With so many books out there to read, it’s easy to write something off if it doesn’t hit you immediately. Most of the time that’s not a bad practice, but I’m sure I’ve missed out on some great work over the years by not giving it a second chance. Circumstances play into reading almost as much as taste, and circumstances are always changing.

I’m grateful that Laird left a comment that day. It was a turning point and a teaching moment. The internet is massive, but you still never know who might be reading. If it’s not something I’d say to the person in real life, it’s not something I’ll write in cyberspace. I’m beyond tired of snark and condescending tones, and I truly hope I’ve grown beyond that. In that simple, two-sentence reply, Laird taught me how a real author should conduct oneself. It’s a lesson I’ve never forgotten.